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Bharatha khanda The Indians History
Kalidasa's "Abhigyan Shakuntalam" stands as a landmark Sanskrit play that intricately intertwines themes of love, memory, and the natural world. Inspired by the Mahabharata, Kalidasa elevates a brief epic incident into a profound emotional tale, showcasing his poetic brilliance and profound insight into human feelings.
Plot Summary
The narrative opens with Shakuntala, the offspring of the celestial nymph Menaka and the sage Vishwamitra, who is abandoned at birth. She is found by sage Kanva and nurtured in his hermitage, enveloped by the peacefulness of nature. Growing up in this tranquil forest, Shakuntala epitomizes innocence and natural grace.
While hunting in the woods, King Dushyanta encounters Shakuntala and is captivated by her beauty. He proposes a Gandharva marriage, a union founded on mutual affection and consent. They wed in secret, and Dushyanta vows to send an escort to bring her to his palace, gifting her a signet ring as a symbol of his devotion.
However, a curse from sage Durvasa causes Dushyanta to forget his marriage to Shakuntala. When she arrives at his court to remind him, he denies their union, resulting in her public disgrace. In her despair, Shakuntala invokes a curse that restores Dushyanta's memory when he sees the ring he had given her.
The pivotal moment occurs when a fisherman discovers the ring and presents it to Dushyanta, triggering his recollection and prompting him to seek out Shakuntala. Their reunion is further enriched by the revelation of their son, Bharata, who later becomes a legendary emperor, giving his name to the Indian subcontinent.
Significance of Nature
Nature is a crucial element in "Abhigyan Shakuntalam," functioning both as a setting and a symbol. Shakuntala's upbringing in the forest hermitage forges a deep connection between her and the natural environment. Kalidasa employs vivid natural imagery to depict her beauty, likening her lower lip to the vibrant red of young sprouts, emphasizing her unity with nature.
The forest serves not merely as a backdrop but as an active participant in the unfolding story. As Shakuntala...
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